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Giovanni Aldini, The Real Frankenstein

Giovanni Aldini, The Real Frankenstein 

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  #1  
09-28-2011, 02:18 AM
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Giovanni Aldini, The Real Frankenstein

Among the inspirations for Mary Shelley's gothic classic 'Frankenstein' from 1818 were the (in)famous experiments carried out in public by the physicist Giovanni Aldini (1762-1834) at the Royal College of Surgeons in 1803.

In 1791, Luigi Galvani discovered that the muscles of dead frogs legs twitched when struck by a spark. This was one of the first forays into the study of bioelectricity, a field that still today studies the electrical patterns and signals of the nervous system.

Giovanni Aldini (April 10, 1762 – January 17, 1834), Italian physicist born at Bologna, was the nephew of Luigi Galvani, whose treatise on muscular electricity he edited with notes in 1791.

He became professor of physics at Bologna in 1798, in succession to his teacher Sebastiano Canterzani (1734-1819). His scientific work was chiefly concerned with galvanism and its medical applications, with the construction and illumination of lighthouses, and with experiments for preserving human life and material objects from destruction by fire.

Giovanni Aldini was the greatest of all Galvani’s supporters. He helped to organize a society at Bologna to foster the practices of galvanism in opposition to a Volta society established at the University of Pavia.

Aldini traveled all over Europe publicly electrifying human and animal bodies, and his performances were extraordinary theatrical spectacles. In 1802 Giovanni Aldini came to London with a spectacular demonstration. Such spectacles performed on humans (and ox heads) produced repeated, spasmodic movements of facial muscles, arms, and legs. He stimulated the heads and trunks of cows, horses, sheep and dogs. An eyewitness reported: "Aldini, after having cut off the head of a dog, makes the current of a strong battery go through it: the mere contact triggers really terrible convulsions. The jaws open, the teeth chatter, the eyes roll in their sockets; and if reason did not stop the fired imagination, one would almost believe that the animal is suffering and alive again".

Though a showman in many respects, Aldini was among the first to treat mentally ill patients with shocks to the brain, reporting complete electrical cures for a number of mental illnesses. These experiments were described in details in Aldini's book published in London in 1803 "An account of the late improvements in galvanism, with a series of curious and interesting experiments performed before the commissioners of the French National Institute, and repeated lately in the anatomical theaters of London, by John Aldini." It was an influential book on galvanism, that presented for the first time a series of experiments in which the principles of Volta and Galvani were used together. The fine series of plates illustrated the experiments which involved bodies and heads of animals and humans. For the first time a description appears here of the magnetization of steel needles through connection to a voltaic circuit.

A very ample series of experiments were made by Professor Aldini which show the eminent and superior power of galvanism beyond any other stimulant in nature. In the months of January and February last, he had the courage to apply it at Bologna to the bodies of various criminals who had suffered death at that place, and by means of the pile he excited the remaining vital forces in a most astonishing manner. This stimulus produced the most horrible contortions and grimaces by the motions of the muscles of the head and face; and an hour and a quarter after death, the arm of one of the bodies was elevated eight inches from the table on which it was supported, and this even when a considerable weight was placed in the hand.

The most famous experiment took place at the Royal College of Surgeons in London in 1803, on a hanged man named George Forster.

George Forster was hung at 8am on 18th January 1803 at Newgate Prison, for the drowning of his wife and youngest child in the Paddington Canal. After hanging for an hour in sub-zero temperatures, Aldini procured the body and began his galvanic experiments.

On the first application of the process to the face, the jaws of the deceased criminal began to quiver, and the adjoining muscles were horribly contorted, and one eye was actually opened. In the subsequent part of the process the right hand was raised and clenched, and the legs and thighs were set in motion. Mr Pass, the beadle of the Surgeons’ Company, who was officially present during this experiment, was so alarmed that he died of fright soon after his return home.

“The jaw began to quiver, the adjoining muscles were horribly contorted, and the left eye actually opened … The action even of those muscles furthest distant from the points of contact with the arc was so much increased as almost to give an appearance of re-animation … vitality might, perhaps, have been restored, if many circumstances had not rendered it impossible.”

"Galvanism was communicated by means of three troughs combined together, each of which contained forty plates of zinc, and as many of copper. On the first application of the arcs the jaw began to quiver, the adjoining muscles were horribly contorted, and the left eye actually opened."

"The first of these decapitated criminals being conveyed to the apartment provided for my experiments, in the neighbourhood of the place of execution, the head was first subjected to the Galvanic action. For this purpose I had constructed a pile consisting of a hundred pieces of silver and zinc. Having moistened the inside of the ears with salt water, I formed an arc with two metallic wires, which, proceeding from the two ears, were applied, one to the summit and the other to the bottom of the pile. When this communication was established, I observed strong contractions in the muscles of the face, which were contorted in so irregular a manner that they exhibited the appearance of the most horrid grimaces. The action of the eye-lids was exceedingly striking, though less sensible in the human head than in that of an ox."
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  #2  
09-28-2011, 02:22 AM
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Re: Giovanni Aldini, The Real Frankenstein

"Galvanic Experiments on The Dead Body of a Criminal"
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  #3  
09-28-2011, 02:30 AM
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Re: Giovanni Aldini, The Real Frankenstein

A satirical political cartoon from 1836 titled, "A GALVANIZED CORPSE". This cartoon has nothing to do with Aldini, but it does show the fear people of the time had of galvanization.

Complete Explanation:

Jacksonian editor Francis Preston Blair rises from his coffin, revived by a primitive galvanic battery, as two demons look on. A man on the right throws up his hands as he is drawn toward Blair, saying:
Had I not been born insensible to fear, now should I be most horribly afraid. Hence! horrible shadow! unreal mockery. Hence! And yet it stays: can it be real. How it grows! How malignity and venom are "blended in cadaverous union" in its countenance! It must surely be a "galvanized corpse." But what do I feel? The thing begins to draw me . . . I can't withstand it. I shall hug it! . . . First demon: "There! We've lost him, after all! See! they are bringing him to life again!"

Second demon (holding a copy of Blair's newspaper, the "Globe)": Lose him! ha ha! . . . Rest you easy on that score. But can't you see that it's all for our gain that he should be galvanized into activity again? Where have we his equal on earth? especially since dear Amos [Kendall], poor fellow, has got his hands so full, at the Post Office, that he can't write for us as he used to. Show me another man that can lie like him. They talk of Croswell [influential editor of the "Albany Argus" and Van Buren ally Edwin Croswell] but Harry is nothing to him. I doubt if I can beat him myself. Lose him! a good joke that! Weitenkampf tentatively identifies the man at right as Amos Kendall, but the likeness differs considerably from that found in other caricatures of Kendall.
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  #4  
09-28-2011, 02:41 AM
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Re: Giovanni Aldini, The Real Frankenstein

Wicked shit Rekr!
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09-28-2011, 08:29 AM
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Re: Giovanni Aldini, The Real Frankenstein

  #6  
09-28-2011, 02:45 PM
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Re: Giovanni Aldini, The Real Frankenstein

Good post, enjoyed reading it.
  #7  
09-28-2011, 03:20 PM
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Re: Giovanni Aldini, The Real Frankenstein

fucked up
  #8  
09-28-2011, 05:29 PM
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Re: Giovanni Aldini, The Real Frankenstein

  #9  
09-28-2011, 05:58 PM
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Re: Giovanni Aldini, The Real Frankenstein

yeah I'd like to see that in real life
  #10  
09-28-2011, 08:37 PM
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Re: Giovanni Aldini, The Real Frankenstein

I've got a set up in my basement and I would gladly give you an up close and personal demonstration. If you're willing to be hands on that is.

And an advanced "Fuck You" to whomever posts any gay reference directed at this comment.


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